I consume a lot of media. I've decided to write about it here sometimes. Reviews and such. Note the links on the right for other parts of the site, including our photo gallery.
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This game was the first episodic expansion of Grand Theft Auto 4. It has you back in Liberty City as Johnny "The Jew" Klebtiz, second in command of The Lost motorcycle gang. This is a much darker game than GTA4 - Rockstar have gone adults-only on us, rather the the cartoon violence of the previous ones. Continuous swearing, even more violence, and some fairly adult stories are on offer here.
Quick story summary: Johnny has been running the Lost while the club president, Billy Grey, has been serving time in drug rehab instead of jail. Johnny K has things running well, money coming in, peace between the gangs and other syndicates. The action kicks off with Billy coming out of rehab, resuming the leadership and immediately going on a drug-fuelled bender of violence that sets every other criminal gang against The Lost. You play as Johnny, trying to salvage what can out of this chaos and keep his club together.
The dialogue and writing is as strong as always in a Rockstar game. The supporting characters are the real stars, especially the character of Billy. He has the best lines, and actor delivering them is just superb. He absolutely nails Billy as a socialpathic, charismatic, ultra-alpha personality. Sadly the main character is much weaker and kind of fails to make an impact, probably because eveyone else is so over-the-top. The friction between Johnny and Billy is done really well, however, and makes for some tense cutscenes.
One big problem I had with The Lost and Damned is that the character you play (Johnny) is just not that likeable. Niko Bellic (from the first GTA4) was trying to find a better life in a new place. He ends up being pulled against his will into the world of organised crime partly through the actions of those around him as well as his own (sometimes misplaced) loyalty and sense of honour. On the other hand, Johnny is a career thug and criminal that has carved his own place out with deliberate forethought. He's partly influenced by the actions of those around him (especially Billy), but also by the fact that he's a bit of a thung and an asshole. I want to be inspired by the role I play in a game, not to be turned off by it!
Johnny is portrayed as a (sort of) diplomat and consensus-builder between the gangs, but the peace he's built is simply so that everyone can get on with making money through crime. In the case of Niko Bellic, his spiral into the criminal life led to a top-notch final tragic climax with a huge punch. For Johnny, the ending is more of a damp firecracker without much of an emotional payoff. Despite his best effort he loses out, but in the end we don't really care all that much.
There is some attempt at character-building through the subplots involving his drug-addicted ex-girlfriend Ashley. These seem a little like an afterthought though, consisting mainly of a seque into the next mission. Their troubled relationship or past is never really explored in any detail, leaving us to fill in the blanks. It is interesting flavour, sadly underdone.
Techincal improvements have been made since GTA4. Motorbikes handle a whole lot better in this game, as you'd hope. Instead of spinning out on every corner and flipping the second you touch a kerb, they now drive beautifully. There are a bunch of new weapons to use, which is nice. There is a reasonable amount of variety in the missions and side-quests, however I wasn't as compelled to complete every single one, as in the first game. One excellent chase mission stands out, with you as the passenger on a bike fleeing at breakneck speed from a thousand police cars, vans and helicopters. Being the passenger allows you to concentrate on shooting stuff and watching the explosions. It is chock-full of spectacular set-pieces and sequences, and is worth the price of admission alone. The main game finishes with an over-the-top action movie, giving you full access to all of the weapons at no cost, plus the licence to use them all in one glorious orgy of violence. Brilliant stuff!
Despite its faults, Lost and Damned is great fun to play. It is more of the same as GTA4, pumped up with extra guns, bikes and an adult storyline. Returning to Liberty City for another outing is well and truly worthwhile. Recommended.
4X style games (explore, expand, exploit, and exterminate) have always been a bit like cocaine to me. They exert a powerful "one more go" feeling that often lasts far too late into the night. Finally I've found the answer: a browser-based Flash game called Neptune's Pride.
The reason this game solves my unhealthy obsession with this genre is twofold. One, it has simple-but-effective gameplay mechanics that are very satisfying in the style of all good strategy games. Two, the game plays out in psuedo-realtime. It is not actually possible to spend a lot of time with this game each day. I'll explain below.
Neptune's Pride is a 8-12 player multiplayer game that is free to play (although you can buy 'credits' to improve your experience, create custom games, etc). As mentioned, the gameplay is simple. Victory goes to the player that conquers a certain number of planets, from a starting point of a single planet (the kicker is, no one can win without at least half the players being wiped out completely).
All planets have three characteristics: Economy, Industry and Science. A point of economy earns you $10 per day, a point of industry generates two ships per day, and each point of science increases the rate you research each of the four technologies in the game: Weapons, Speed, Scanning and Range. Each level of technology takes progressively longer to research, and some (Weapons, Speed) are harder than the others to advance. The balance of improving your planets, plus the choice of technology to research, makes for some remarkably deep gameplay. In addition, some planets contain more resources than others, making them cheaper to upgrade and thus juicier prizes.
Planets are captured by sending a fleet of ships to them. Fleets consist of single giant "carriers" that can warp between planets. However, travel between planets is not instantaneous. It might take 10 real hours (or more) for a fleet to make the jump, and once under way they cannot be diverted. Given that there is a significant advantage to being the defender in a battle, this travel mechanic mean that fleet movement needs to be considered very carefully (especially when your opponent has a larger fleet in the vicinity).
Two other things make this a game that rewards forward-planning and taking the long view on strategy. One is the aforementioned delay in travel between planets and resource generation, making it impossible to react quickly. Victory takes planning, not reflexes. The second is that victory in battle is determined largely by the number of ships you have, and these are produced no faster than your planet's industry: two ships per point of industry, per day. Doesn't matter if you have a huge reserve of cash, you cannot buy your way out of trouble.
Beyond the satisfying strategy , however, is the best part of the game: the "metagame" of alliances and betrayal between players. There is a public bulletin board and private messaging between players. Private messages will soon be flying thick and fast as players negotiate to form and break alliances. Invasion is costly, and it is far easier for two players to conquer one. The one downside of this game is that it seems to be impossible to win without being a heartless, backstabbing son-of-a-bitch. Is your new ally holding back his fleets and letting you soak up the damage, ready for a backstab later? Better hold back your own first. Oh, the paranoia!
For such a simple (and free!) game, this is astonishingly good fun. A solid two thumbs up from me. Play it. Just be prepared to be getting up at odd hours to check on the progress of that enemy fleet on your border...
I've played computer games forever, and first-person-shooters since Quake came out. I'm a big fan of this genre, but I'll be the first to admit that innovation is not exactly business as usual for these games. Fancier graphics, yes, new features...not so much.
Occasionally a shooter comes along that pushes the boundaries - Shattered Horizon is one of those. Set in space as a battle between suited astronauts armed with machine guns, this game's point of difference is the third axis of movement. In most (all) other FPS's you move around in a flat plane - the ground might have some bumps or buildings, and there might be some verticality to the action with helicopters or whatever, but generally the game takes place over a single fixed plane.
Shattered Horizon takes place in zero-gravity, and the only plane of reference is your own. Opponents can be in front, above, below, wherever. This is a little disorienting at first, but you soon get used to it. Zoom around in free flight with a jet pack, the controls allow you to elegantly loop and skate thorugh the maps. You have realistic momentum and kinetic energy, and you can actually move the smaller bits of scenery if you hit them. Alternatively you can affix yourself to any largish piece of scenery, run around, kick off and fly to the next surface. This is a really novel, truly 3D method of movement in a shooter, and it sets this one apart.
In a regular multiplayer FPS, you can generally predict where attacks will come from - front, back or sides. In this they might be above or below too. The HUD contains a radar that tracks friends and foes, and this becomes essential for orienting yourself (especially when you violently reorient yourself by "snapping" to the scenery). Given the relative blackness of space (though there are many ambient light sources), the ability to spot enemies becomes important. I quickly found myself crouched in a shadow, watching for the telltale glow of manuevouring jets or tracer fire. The ability to hide using shadows and cover, and to spot (or blind) enemies using flares or EMP grenades is important to successful play.
Another cool touch is the sound; obviously there is none in the vacuum of space. The gimmick here is that sound is "simulated" inside your helmet; along with the radio chatter of your teammates, you hear directional queues like gunfire and explosions. I like the fact that you can also go into "silent running" where you turn off most suit functions, including sounds. While running silently you become quite vunerable, losing your HUD, radar, gunsight and the ability to latch onto surfaces. However, you won't show up on enemy radar and you can still shoot, providing an opportunity for sneaky stealth kills. Going silent has an odd dreamlike feel: the lack of sound and HUD clutter make a strange contrast to the usual manic FPS environment.
Overall this is a very playable, enjoyable game. There are a relatively small amount of maps and weapons compared to other FPS games, but the novelty of 3D movement and relatively low price more than makes up for this. Recommended.
So here's an idea: you want to make an open-world racing game, set in a post-apocalyptic landscape of huge proportions. You want to have a variety of on- and off-road cars and bikes available to use, challenges and unlocks for the more obsessive players. You want to be able to free-ride anywhere at all when you're not actually racing. Then you hit a snag: what's the background? Why are you and a few other extreme-sports types racing around these thousands of square kilometers full of abandoned buildings, crashed big-rigs and (occasional) cow skeletons? What calamity led to this entire world being abandoned to a bunch of reprobate dirt-bikers? A tough question, and the writers are sent away to come up with something. Then you and the rest of the team have a brain-wave: we won't bother writing a backstory! Let's just race!
Of course, this half-hearted unexplained apocalyse annoys me a bit; I'm a story kind of guy. Therefore I'll make up my own: the zombie apocalyse came and went, 28 Days Later-style, but only in North America. All the zombies died off, leaving a few rugged survivors. One of these groups happened to be into moto-cross, and decided to make the best of a bad situation by ripping up the empty landscape to their hearts' content.
An astonishing amount of effort has gone into the world of FUEL - there are literally thousands of square kilometers to explore, all painstakingly handcrafted. They've obviously employed some people as level designers that are borderline OCD to put this thing together. The landscape is suitably anarchic, full of rusting cars and burning forests. It looks superb.
This game really boils down to some extreme-sports guys' fantasy: a whole world devoted to tear-assing around in vehicles, with no rules or limitations. The developers (Asobo Studio) have stripped out all the boring parts of vehicle racing and left only the races themselves, plus the freedom to just pick any direction and drive as far and fast as you can. If you crash, you're back behind the wheel in seconds - no worse for wear.
The races themselves are varied and quite well done, with checkpoint races, pursuits and standard lap races mixed up between vehicle types and environments. Winning races serves to earn career points, which unlocks more of the landscape to explore. Spaced out around the maps are "vista points", generally high spots overlooking some spectacular scenery. You can also pick up extra designs for your vehicles; purely cosmetic, but it does serve to encourage you to get off the beaten track. For mine, it's the freedom to drive anywhere that elevates this about generic racing.
Overall, this is a fairly good time. It looks good and it's great fun just hooning around exploring the world. It's crying out for some single-player story mods though, this world is too good to waste on the racers!
So I got to play the first episode of Alan Wake the other day. This one's been coming for round about forever - the last major game by these developers was Max Payne 2 (great good fun, that one). It was on XBox, but we'll forgive that because it was so much fun!
This game is a supernatural thriller, and sets some of the best atmosphere I've seen in a game. It has some amazing looking light and shadow effects, which is used to great effect as a gameplay mechanic: you use your torch to "burn" the darkness away from your supernatural foes, rendering them vunerable to your bullets. The sound is also excellent (you'd hope so in a "psychological thriller"), and the voice acting is top-notch. All the little details add up to make it an immersive and entertaining experience.
I found the first episode very tense in parts, so they've done their job properly. Starting off in a twilight-zone weird dream senquence, we get a little normalcy as a scene-setter to end up creeping through a darkened forest toward the safety of a petrol station's lights, pursued by a ghostly axe-wielding maniac.
The gameplay was not all that challenging on normal; I'd play on hard in future. Multiple enemies attack with little warning at several stages in this episode, creating some tense fight scenes. It helps that Alan is no typical computer game superman; his aim with a pistol is wobbly, and he runs out of breath quickly while running. The cutscenes are very well executed and voice-acted, although the in-game characters' faces were a wee bit plastic. Remedy, go talk to Valve or Rockstar about animating faces properly!
I can't wait to play this game on the PC. The developers announced that this was cancelled a couple of months ago, though I'm betting that they'll release it for PC in a year or so (after all that lovely console money has been milked). Here's hoping!
Concluding remarks: effing good fun, especially played in a dark room with the sound up!